Todd interviewed by Bec Stafford.

1. Todd, you’re running a 2-day writing master class at the Gold Coast Film Festival. Who were your writing role models, and what would be the #1 tip you’d give an aspiring screenwriter?

Role model was without hesitation Stephen King.  Granted my influence was with his prose but also, writer’s write.  King’s ability to take everyday people and drop them into extraordinary circumstances had set him apart from all other horror writers and most  genre writers.  Plus he writes 362 days of the year.  Writer’s write.  That is the number one tip.  Stop planning.  Stop dreaming.  Write!  It’s easy to say I want to be a writer.  It’s easy to say I’m going to be a writer.  Get thee behind me, speech-maker!  Write!

2. Your first film, Jason X, was the 10th instalment in the Friday the 13th series. Were you a fan of the franchise before you got on-board? What are your favourite elements of the Friday the 13th story?

I was a fan of all horror.  I always leaned toward Halloween because I found that film was more believable and to be more disturbing.  BUT the Friday franchise had offensively in your face gore as well as fun.  Any movie that opens with Jason inside the James Bond opening wins my eternal love.  The F13 franchise could be both scary and fun.  And that has stuck with me through all my writing.

3. What is the greatest challenge about writing horror scripts and what is your favourite aspect of writing in the horror genre? Were you always a horror fan?

If you love and if you find beauty in the world then writing horror should be easy.  You simply write about what you fear losing.  As for a special challenge with horror, I think it’s the same challenge with any writing.  Your characters should be real.  They should follow their wants and desires rather than the wants and desires of the writer.  Ever watched a movie where the character does something completely out of character or simply dumb?  That act, 9 times out of 10 was to serve some needed purpose of the writer.  Not a fan of that.  And yes, I’m aware that some of the fun in horror is yelling at the screen telling the character, “Do not go out there!”  Then again, you don’t do that with JAWS or ALIEN or SILENCE OF THE LAMBS and those are horror in my book.  That said, every script could use a moron or two.  :)

4. How do you think horror audiences have evolved over time? Is it harder to shock contemporary horror fans?

I think all story is old or rehashed.  When I started it was just the main three: Michael, Jason and Freddy.  Then came SCREAM which did what I’d been told was forbidden and that was to make your characters self-aware.  100 million dollars later that rule had been tossed out the window.  A self-aware horror screenplay become commonplace.  Then came Japanese Horror with THE RING.  But even that wasn’t new.  It was an import.  That ran its course then it was torture porn.  That was pretty shocking but ran its course.  And that’s horror.  It’s cyclical.  Like life.  Fads come and go then return.  I’m still awaiting the return of bell bottoms.  Is it hard to shock?  No.  But the horror audience is smart.  Way smarter than the suits give them credit.  That’s what I like about them.

5. Which horror movies do you think have best stood the test of time and why?

Great Grandpa, Grandpa and Pa.  Great Grandpa is the classics.  Dracula, Wolfman, Mummy.  Grandpa is Exorcist, Oman and Rosemary’s Baby.  Dad is Michael, Jason and Freddy.  I really believe that most horror has those shoulders to thank.  In fact, you could easily make the argument that Freddy, Jason and Michael were simply the 80s versions of Drac, Wolfie and Mums.

6. What makes you jump, when you’re watching a horror film? As someone who understands the format so well, are you hard to scare?

I’m the easiest to scare!  I’m the BEST audience member because I go there!  I get in the mind of the characters.  My imagination tends to fill in the gaps.  I jump, cringe and cry out!  I think if nothing scares you then you likely should get out of the horror biz.

 7.  What are you working on at the moment?

I’m spread out within genres and mediums.  Just had a comic book come out.  Working on a couple of children’s books.  Pitching a TV shows based on a pilot I wrote with Patrick Lussier.  Working on a couple remakes, couple specs and the list goes on.  Hollywood can be frustrating because you have to throw a ton of mud at the wall to find something that sticks.  But writers write and as long as you embrace that then all is well.  :)

Todd is teaching a Masterclass at the Sofitel at Broadbeach, Gold Coast on Monday April 22 and Tuesday 23 2013 and is limited to 40 participants only.  During the two day session, there will be an allocated period where Farmer will hear all aspiring writers’ individual pitches and provide feedback to participants, which is invaluable to both aspiring and current writing practitioners.   

The master class fee is $444.38 (which includes GST and a $9.88 booking fee) guaranteeing that those people attending will be serious about learning the craft.

For more information please visit the festival website – 

http://www.gcfilmfestival.com/page/90/Screenwriting_Master_Class

As you know I love me a bit of Social Media! So this week I launched a social media coaching consultancy called (surprise, surprise MDPWeb Consultancy!).

This is an exciting step for me, and I’m looking forward to working with some of you in the future. Good fortune has brought me into contact with the Twitter guru Keith Keller, and you can now find me on the team at Global Social Media. Now, here’s a bit about the man himself…

Keith Keller is a “Twitter 4 Business Specialist” and now has clients around the globe. He is also a popular speaker on the subject of Social Media (especially Twitter) and has appeared on numerous radio shows, teleseminars and webinars across the United States, Canada, UK, Europe, Asia as well as Australia.

Keith’s latest project is: “TWITTER 101 – CRACK THE TWITTER CODE”  A program focusing specifically on harnessing the global possibilities of Twitter. (Just like having your own Personal Trainer in the Twitterverse) www.CrackTheCodeCoaching.com He is also a Career Change Coach and the co-creator of the widely acclaimed Internet radio show Career Success Radio, which he co-hosted for over two years with Annemarie Cross.

Keith is a passionate advocate of social media, which he used extensively to market and promote the show. As a result, podcasts for Career Success Radio have now been downloaded well over 80,000 times and listened to in 120 countries around the world. Contact Keith for more information about using “TWITTER 4 BUSINESS”

ke***@***********************ng.com

Good reviews are like pasta for a writer. We get enormous energy and sustenance from them. For me, I try and use the good ones as a motivation to keep going, and with the horrible ones, I tell myself everyone is entitled to their opinion – that’s what makes the human race so interesting.

It may be a self deception, but honestly, it’s the only way to survive and be productive. Intense criticism can be paralysing, and I’ll be damned if I’ll let it (criticism) stop me doing what I love. My dear ex-editor once told (soon after my second novel was published) to don my steel cap boots and armour and keep marching because that’s what a writer needs to protect themselves.

Not that all criticism is a negative experience. I have defintiely learned from my some of reviewers, and truly appreciated their perspective and feedback. But life can be measured by its extremes and there are those critics who are all about being destructive.

Anyway, this is a rather long preamble to me admitting to be particularly excited when my SENTIENTS OF ORION series gets good reviews. It was a tough, demanding, mind-stretching project and I’m proud of it. It is not, however, a series that everyone understood. A space opera with difficult, complex characters and a female protagonist who gves birth during the story (no this nothing like Aeryn Sun giving brith in the middle of a firefight in Peacekeeper Wars!), did not fit into the usual space opera mold.

Over at the Deadline Zombie, this lovely, thoughful review appeared this week, and puts it up with my other favourite review by Alex Pierce. Here’s a snippet for you to check out …

‘This is the first of the four book series Sentients of Orion, in which author de Pierres throws a cast of humans into a whirling maelstrom of alien cultures, inscrutable godlike beings and galaxy-wide war. The book deals not only with their struggle to survive, but their growing awareness that they aren’t fully in control of their own destinies. .. de Pierres has written a beautiful, touching story.’

So there … sustenance for another few months!