Maria Violet

Maria Violet is a writer interested in comic books, cycling, and horror films. Her hobbies include cooking, doodling, and finding local shops around the city. She currently lives in Chicago with her two pet turtles, Franklin and Roy.

13cameras1The existence of a camera in every household, via smart phones and i-”whatevers” definitely increases the presence of security violations both private, and communal. 13 Cameras reignites the fear of most women regarding the prevalence of video surveillance, and the minds behind their operation. This film doesn’t just highlight and romanticise the phenomenon of voyeurism as a pursuit of the most unlikely people, but it also furthers the antiquated idea that women are more “spy-worthy” than men.

13 Cameras is a rough-shod thriller in virtual perspective that focuses on the fetish-driven mind of building superintendent Gerald (Neville Archambault), and his interaction with tenants Ryan (PJ McCabe), and Claire (Brianne Moncrief). Gerald has set-up hidden cameras in the property that Ryan and Claire have decided to make their home. From this arrangement it’s easy to infer how a superintendent with certain ulterior motives could create the core of a situational thriller. What this film lacks, however, is a clear insight into the video voyeur’s desire. Is it purely the thrill of peering into other people’s lives, or is it gender specific? In short, does Gerald seek an opportunity to view Claire in her most private moments, or is the act of viewing alone the goal?

This film poses a situation where female voyeurism is put under a social microscope. How is it that Claire is automatically the subject of Gerald’s voyeuristic desire instead of the couple’s interaction? There is no argument that men and women spend equal time using modern media tools to parade their bodies to perfect strangers. Both men and women have set themselves up to be targets of people who would use video equipment to peer into the private lives of individuals. Why is it then, women are still the overwhelmingly most popular subjects in any video voyeur’s plans?

The answer could be as simple as the thought that women spend more time in the bathroom than men. Though near-sighted, this could explain why video voyeurs set-up cameras in home bathrooms instead of other areas. Women are traditionally thought-of as being more helpless in situations where they are alone. What better place to install a camera than a private bathroom to catch a woman in her most vulnerable moment? This precludes a video voyeur’s predisposition toward capturing images of women only.

There are equal opportunities in 13 Cameras for Gerald the superintendent to fulfil his fantasies that include female and male moments. Ryan, the husband, is caught on secret film as many times as Claire, but the movie makers choose to shift focus whenever male-centered voyeurism begins to arise. During the movie, Ryan has an affair with a beautiful mistress, but it elicits far less camera time than Claire’s private moments.

Had Ryan been kindling a same-sex affair, or one that involved several other females, it’s likely the focus of Gerald’s video antics would have shifted from the singular lonely female to the taboo acts in other spaces. 13 Cameras is highly dependent upon the traditional notion that the lonely female subject is the most available source of fodder for any forbidden on-screen material. The rage in Gerald’s character that is revealed in the last sequences of the film illustrates a deranged mind that is obviously searching for stimulus regardless of the gender source. It is the film maker’s choice to continue the outdated narrative that beautiful women spending time in a bathroom are more of a target for voyeurs than anyone else.

Modern women are smart enough to understand that the same technology they use to socialize on a daily basis, has the potential to invade their lives. 13 Cameras shines a light on the worst that can happen when a women doesn’t take the time to know her environment. Check nooks and crannies for cameras when moving into a new place. Arm your security system and make sure it’s encrypted (try here for advice) to prevent personal details from being leaked. Act on instincts that say a new landlord looks creepy and behaves erratically. Make sure there are only two keys to a new place—one for her, and one for him only. Secret voyeurism is real, but no strong woman ever has to be the victim!

 

3D-marianne2Hi All Y’all,

The year is slipping by and I have a few appearances coming up. Hope to see some of you at one of my upcoming workshops or conventions!

Marianne xxxx

Writing Speculative Fiction – SOLD OUT!

Who: Marianne de Pierres

Where: NSW Writers’ Centre

When: Saturday 23 July, 10am-4pm
Cost:
Full price: $180; Member: $125; Conc Member: $110
Level:
All

Award-winning science fiction author, Marianne de Pierres, will conduct a comprehensive workshop on writing speculative fiction. Participants will learn how to amass the right tools for world building; how to create convincing worlds that are authentic, logical, and original; and how to effectively blend the sub-genres of speculative fiction to create more exotic stories. …..


Lord Mayor’s Writers in Residence

Women of Action: the new wave of crime and thriller fiction – Friday 5 August 6-7pm, Brisbane Square Library

Join authors Marianne Delacourt and L.A. Larkin in conversation with Amanda Bacchi about creating dynamic female central characters in crime and thriller fiction. In a genre that often depicts women as victims or side-kicks, these authors are turning the tables. How do their lead characters’ lives reflect those of the authors? This event is ideal for crime fiction and thriller lovers, aspiring writers, and anyone who will enjoy an evening with two highly entertaining authors.

Date: Friday 5 August 2016
Time: 6:00pm
Venue: Brisbane Square Library, 266 George St, Brisbane QLD4000
Cost: Free – bookings essential
Bookings/Enquiries: Bookings essential. Contact Brisbane Square Library at (07) 3403 4166

 


World-building – creating authentic fictional worlds
06 Aug 2016 12:30pm
Bank of Qld Room, Level 4, State Library Qld
Stanley Place, South Brisbane Qld 4101
12.30 – 2.30 pm $15 members, $25 non-members World-building – create authentic worlds with Marianne de Pierres

Worldbuilding – Place as Character

Saturday October 8 @ 9.30am–3.30pm
Rockhampton Library, 230 Bolsover Street, South Rockhampton

QWC Members $65
QWC Member Concessions $59
Full Price $110
Concession $99

 


 

Oz Comic Con – Sydney and Perth

 

 Panels on Saturday and Sunday of each convention.


 

 

 

Jamie Marriage

Jamie Marriage is an internationally published Australian cyberpunk author with a taste for the dangerous and obscene aspects of life. His work ranges from the sarcastic to the satirical. Links to his work can be found atwww.JamieMarriage.com

rabarts-at the edgeAustralia and New Zealand are home to some of the greatest dark fiction writers the world has to offer — disturbed minds firing out shots of madness into the night. Maybe it’s our isolation from the rest of the world: island nations so far removed from the rest of society; mountainous landscapes; bone-dry deserts; and endless oceans the perfect breeding ground for horrors and monstrosities unknown.

Comprising of two dozen twisted tales, ranging from emotionally haunting pieces such as Martin Livings’ Boxing Day (a story that examines one Australian household’s traditional form of ensuring the hierarchy) to the purely creepy Carlington Black’s The Urge, where changes in the atmosphere start changing people, either physically, mentally, or both, At The Edge has something for every lover of the dark and macabre.

Every author in this collection has their own voice, their own story to tell, their own fright or ghast to let loose upon the reader. Some such as Jodi Cleghorn’s The Leaves No Longer Fall and AC Buchanan’s And Still The Forests Grow Though We Are Gone predict environmental catastrophes that we may already be facing, making these stories much harder to bear.

Others simply hold up a mirror, demonstrating that the things in our own heads are the things we should fear the most. The most eloquent of these is Joanne Anderton’s Labyrinth inspired tale of goblins and misplaced wishes, Street Furniture, and AJ Ponder’s corrupted story of the demons that hide within the stories we read, BlightSight.

At The Edge is an anthology that is best read in a well lit room, preferably during the day when sleep is far off. Each author has their own way of worming into your subconscious, nesting behind your eyes, and not letting you forget that while the things that scare you might not be real, that doesn’t mean they should be ignored.

At The Edge

Edited by Dan Rabarts & Lee Murray – Published by Paper Road Press

Awards

davitt-award  aurealis-award   logo-curtin-university

Peacemaker - Aurealis Award
Best Science Fiction Novel 2014

Curtin University Distinguished Alumni Award 2014

Transformation Space - Aurealis Award
 Best Science Fiction Novel 2010

Sharp Shooter - Davitt Award
Best Crime Novel 2009 (Sisters in Crime Australia) 

Categories

Archives

Search

Follow

Keep in contact through the following social networks or via RSS feed:

  • Follow on Facebook
  • Follow on Twitter
  • Follow on Pinterest
  • Follow on GoodReads
  • Follow on Tumblr
  • Follow on Flickr
  • Follow on YouTube