Spiral (Gears) is, without question, the best thing I’ve watched on television aside from The Killing. The cultural differences between the two series are quite significant as Spiral is French and The Killing is Danish but both have brilliantly well drawn characters.

The story focuses largely on events surrounding Police Inspector Laure Berthaud (Caroline Proust) and Assistant Prosecuting Judge, Pierre Clement (Gregory Fitoussi – yum!). In doing so the series relfects heavily on the French Inquistorial Justice system. It also highlights many of the social problems in Paris; drugs, immigrant assimilation and political corruption.

It is quite explicit and gruesome in parts, and very violent. While  The Killing works as a slow burn, Spiral is confrontational and (depending on your sensibilities) shocking. It doesn’t hold back on the uglier side of human nature.

We talk a lot about flawed characters in fiction, and they don’t get much more flawed than Laure, Pierre, Judge Francois Roban and Josephine Karlsson. Laure and Pierre swing between integrity and its opposite, while Francois’ passion for the law costs him everything, and the black-hearted Joesephine shows that even the most corrupt of people can sometimes come through. Truly riveting stuff! I particulary enjoyed the dynamic between Laure and her team – specifically her co-dependency with the cocoaine-snorting Lieutenant “Gilou”.

I am absolutely hanging out for series 4. Can things get any worse for the volatile, single-minded Laure and the suave, conflicted Pierre? I imagine, having seen what the brilliant writers have done already, they can! I’ll certainly be there to stumble with them, and angst over whether they will make the right decisions.

Few romantic stories are as complex as those written by a futurist; and Bruce Sterling proves this case to the elegant extreme.

Love is Strange is just what the title suggests; an exploration of romance that is destined to take the protagonists places far beyond the norm. But then the main characters themselves cannot claim to be mainstream, so their journey seems custom tailored the their eccentric dispositions.

Gavin, a young Seattle project evaluator working in a venture capital firm, is a guest speaker at a futurist conference in Capri. Using the conference as a cover for his company’s somewhat shady business deal with a Brazilian cultural minister he enlists the help of his nomadic translator, Farfalla, to help him get in contact with her past client.

Deeply rooted in her mystic upbringing, Farfalla immediately develops an attraction to Gavin; believing him to be “The One” spoken of by her occult mentor. She also rapidly takes on a semi-maternal role with Gavin’s sister; a young Goth musician who is as certain of her eventual fame as Farfalla is of her supernatural connection to Gavin.

The story soon delves deep into the complexities of love, especially when two completely separate narratives seem to be running side by side. Gavin’s journey is taking him towards either the salvation or destruction of his old-money family. Farfalla’s own road to happiness is also strewn with complications revolving around her communist parents and oblivious circuit designer boyfriend.

Love is not only strange but horrifically difficult in Sterling’s tale; and certainty is as much of a hindrance as ambiguity. It is often hard to consistently empathise with both Gavin and Farfalla at the same time, as their opinions clash repeatedly making this story an emotional tug-of-war with no clear line in the dirt.

During the novel Sterling maintains his consistently expressive style that is inherent in many of the greatest futurist writers. There is the constant reverence for what has come with the hope of what is to come, and on the edge there is always a hint of possible destruction. These things are what makes a great tale, and Love is Strange is no exception simply because it is a romance story above all.

Solid writing, evocative scenes and twisted underlying narratives all come together to create something that is neither one thing nor another, but a mixture of many different subjects that prove that love is very strange indeed.

Publisher: 40k Books (December 22, 2012)

Sold by: Amazon Digital Services, Inc.

Language: English

ASIN: B00ASBPAWY

It’s been a long time coming, but I’m ABSOLUTELY delighted to announce that the SENTIENTS OF ORION series is now available in e-book format in the USA. You can purchase it  through:

E-READS

KOBO (coming soon)

APPLE

AMAZON

NOOK

As you know, I’m blessed to have amazing artist WAYNE HAAG drawing a free graphic novel to celebrate the release of the books. You’ve already seen the cover – but here’s a sneak peek at some of the internals as well. The graphic novel entitled The Hue will be available from this website in February 2013.