I’ve been working on my screenplay, Stalking Daylight, for Enchanter Films. It’s an experience I’m really enjoying, and has made me realise that I really do think in pictures. The form also suits my tendency to write lean. I’m not tempted to bloat things with too many words.

The original idea started out being reminiscent of Pitch Black, a movie I adore. But somewhere along the way, it’s become an individual. It’s like a child growing up and developing its own personality. Too weird!

Pretty soon I’ll be sending it to my co-writer Lynne Jamneck for her to decipher and make better. I now see know why film people are so adamant about their treatments. A good treatment can make writing the screenplay much easier, whereas a book outline … well let’s face it … the finished book is usually nothing like the synopsis.


davitt-award  aurealis-award   logo-curtin-university

Peacemaker - Aurealis Award
Best Science Fiction Novel 2014

Curtin University Distinguished Alumni Award 2014

Transformation Space - Aurealis Award
 Best Science Fiction Novel 2010

Sharp Shooter - Davitt Award
Best Crime Novel 2009 (Sisters in Crime Australia) 





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